“It seems to me that by not relying on figurative subject matter my expression can best approach the universal Mystery and liberate my inner being.” Marcelle Cahn.
read more“It seems to me that by not relying on figurative subject matter my expression can best approach the universal Mystery and liberate my inner being.” Marcelle Cahn.
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	MARCELLE   CAHN (1895-1981)
	“COMPOSITION, 1949”
	oil on wood, 24 x 33cm (9 1/2 x 13in)
	signed lower left, painted in 1949
	EXHIBITED:
	“Salon des Réalités Nouvelles”, Paris, 1949, (illus. in cat.)
[SOLD]
 
                              
Marcelle Cahn (centre) with the "Cercle et Carré" group.
Galerie 23, 1930.
(Left to Right) Francisca Clausen, Florence Henri, Mme & M Torres-Garcia,
Mondrian, Arp, Daura, Marcelle Cahn, Sophie-Tauber-Arp, Michel Seuphor,
Vordemberge-Gildewart, Vera Idelson, Russolo, Mme Kandinsky,
Vantongerloo, Kandinsky, Gorin.
[Illustration only]
 
                              
	MARCELLE   CAHN (1895-1981)
	“COMPOSITION, 1949”
	oil on wood, 24 x 33cm (9 1/2 x 13in)
	signed lower left, painted in 1949
	EXHIBITED:
	“Salon des Réalités Nouvelles”, Paris, 1949, (illus. in cat.)
[SOLD]
 
                              
Marcelle Cahn (centre) with the "Cercle et Carré" group.
Galerie 23, 1930.
(Left to Right) Francisca Clausen, Florence Henri, Mme & M Torres-Garcia,
Mondrian, Arp, Daura, Marcelle Cahn, Sophie-Tauber-Arp, Michel Seuphor,
Vordemberge-Gildewart, Vera Idelson, Russolo, Mme Kandinsky,
Vantongerloo, Kandinsky, Gorin.
[Illustration only]