Convinced that painting is “the reflecting of the universal aspect of reality”, Chevolleau’s goal was to distil the process between intellectual experience and the unfolding of the senses, and capture the ephemeral existence of the moment.
read more
Convinced that painting is “the reflecting of the universal aspect of reality”, Chevolleau’s goal was to distil the process between intellectual experience and the unfolding of the senses, and capture the ephemeral existence of the moment.
read more
JEAN CHEVOLLEAU (1924-1996)
“LE BANJO”
oil on canvas, 22 x 33cm, (8 1/2 x 13in)
signed lower left, also signed and titled on reverse
JEAN CHEVOLLEAU (1924-1996)
“NATURE MORTE AU QUIGNON DE PAIN”
oil on canvas, 73 x 92cm (28¾ x 36in)
signed; also signed and titled on reverse
[SOLD]
JEAN CHEVOLLEAU (1924-1996)
“RUE OCRE À TOLÈDO”
oil on canvas, 60 x 81cm, (23 1/2 x 32in)
signed lower right,
also signed and titled on reverse
[SOLD]
JEAN CHEVOLLEAU (1924-1996)
“LE BANJO”
oil on canvas, 22 x 33cm, (8 1/2 x 13in)
signed lower left, also signed and titled on reverse
JEAN CHEVOLLEAU (1924-1996)
“NATURE MORTE AU QUIGNON DE PAIN”
oil on canvas, 73 x 92cm (28¾ x 36in)
signed; also signed and titled on reverse
[SOLD]
JEAN CHEVOLLEAU (1924-1996)
“RUE OCRE À TOLÈDO”
oil on canvas, 60 x 81cm, (23 1/2 x 32in)
signed lower right,
also signed and titled on reverse
[SOLD]