PIERRE THIRIOT (1904-1991)
“CHOPINIANA”
oil on canvas, 200 x 200cm (78 3/4 x 78 3/4in)
signed lower left
painted 1928
EXHIBITED:
Salon des Indépendants, Paris, 1928, (no.4132)
LITERATURE:
"La Rampe", No.546, Sept 1931, (p.26)
“Le Pays Lorrain”, Emile Nicolas, Nancy, 1939, (illus. p136)
“Dictionnaire Biographique des Artistes Contemporains”, Edouard-Joseph, 1933, (Vol.III, p.339)“
TEXT READS:
"Toujours tu fais courir entre chaque douleur
L’oubli vertigineux et doux de ton caprice
Prince du désespoir ou grand Seigneur trahi”
“Chopin”, Marcel Proust, 1896, (extract)
FRANCISCO BORÈS (1898-1972)
“NU COUCHÉ, 1948”
oil on canvas, 130 x 89cm (50 x 35in),
signed and dated lower right, 1948
EXHIBITED:
Galerie Pierre, Paris, 1948
PROVENANCE:
Collection of the Artist
Estate of the Artist
LITERATURE:
“Francisco Borès, Catalogo Razanado Pintura 1945-1972”,
Hélene Dechanet-Borès, Madrid, 2003, (illus. p.123, no.1948/59)
Francisco Bores (1898-1972) and Jean Paul Collet
La vie Même, Cahier des Douze, Paris GLM, edition of 100 on tinted Hélio.
[ILLUSTRATION ONLY]
JEAN CHEVOLLEAU (1924-1996)
“NATURE MORTE AU QUIGNON DE PAIN”
oil on canvas, 73 x 92cm (28¾ x 36in)
signed; also signed and titled on reverse
ANDRÉ LHOTE (1885-1962)
“NATURE MORTE AU SEXTANT”
oil on board, 65 x 46 cm (25 1/2 x 18in)
signed lower left, painted c.1955
This work is accompanied by a Certificate of Authenticity issued by the official expert on the artist M. Jean Gouin.
CAMILLE BRYEN (1907-1977)
“FOMALHAUT, No 109”
oil on canvas, 115 x 33cm (45 1/4 x 13in)
signed lower left, also signed on reverse
painted in June 1955
EXHIBITED:
Wols - Bryen, Galerie Colette Allendy, Paris, Nov-Dec 1955
Bryen, Galerie Stadler, Paris Nov-Dec 1956
Phases, Stedelijk Museum, Amsterdam, May-June 1957, Cat. No 39
(Inquire for full list)
LITERATURE:
Camille Bryen, Christian Baugey, 1960, repr. p. 47
Camille Bryen, L’Oeuvre Peint, J. Boutet-Loyer, Paris 1986, No 109, repr. p. 125
L’Art En France, 1945-1960, A. Bonfand, 1995, repr. p.61
Camille Byren (1907-1977) and Jean Frémon (1946-)
Discours de la Fatigue, Editions Fata Morgana, 1972, 24,5 x 16,5 cm. 55 copies on Arches
with four original etchings signed by Byren. Loose as issued in card folder and tissue.
[ILLUSTRATION ONLY]
JEAN LOMBARD (1895-1983)
“L’ORCHESTRE”
oil on canvas, 110 x 100cm (43¾ x 39½in)
signed and dated lower right, 1960
EXHIBITED: “Expression Nouvelle”, Galerie Synthèse, Paris, 1960
JEAN DEYROLLE (1911-1967)
“SIMEONE”
tempera on canvas, 60 x 100cm, (23 1/2 x 39 1/2in),
signed on reverse, 1952
EXHIBITED:
“Séminaire des Arts”, Brussells, 1952
Galerie Editions Lahumière, Paris
Galerie Galarté, Paris, 1987
LITERATURE:
“Témoignages pour l’Art Abstrait”, Alvard & Gindertael, Paris, 1952, (illus. p.93)
“Jean Deyrolle”, Catalogue Raisonné, Georges Richar-Rivier [no.52.02]
Jean Deyrolle (1911-1967) and Samuel Beckett (1906-1989)
Séjour, Edition de Minuit / George Richar, Paris Edition, 1970.
192 copies, with 5 etchings by Deyrolle, on Vélin de Rives, 24.5x18.8cm
[ILLUSTRATION ONLY]
SILVANO BOZZOLINI (1911-1998)
“DOUCES RENCONTRES”
oil on canvas, 54 x 73cm (21 1/4 x 283/4in)
signed and dated lower right, 1951
also signed, titled and dated on reverse
Silvano Bozzolini (1911-1998) and Roger Bordier
Mouvantes Intentions, Edition d’Art d’Aujourd’hui,1955, 32.5x32 cm. first edition of 108 on Rives vellum.
Illustrated with woodcuts in colour by Bozzolini.
[ILLUSTRATION ONLY]
MAX PAPART (1911-1994)
“MOUVEMENT PAYSAGISTE”
oil on canvas, 65 x 54cm (25 1/2 x 21 1/4in)
signed lower right,
and titled and dated on reverse, X-LXXV
Max Papart (1911-1994) and Jean Tardieu (1903-1995)
Un lot de Joyeuses Affiches suivi de cinq petites annonces, 1987, 58.4x45.1cm, 9 aquatint etchings with carborundum.
[ILLUSTRATION ONLY]
LÉON GISCHIA (1903-1991)
“BUSTE AU FEULLIAGE”
oil on canvas, 75 x 54cm (29 1/2 x 21 1/4in),
signed and dated 1948
EXHIBTIONS:
Léon Gischia, Retrospective 1917-1985, Paris Art Center, 1985, (Illust. p118).
PROVENANCE:
Estorick Collection, London
ANDRÉ BEAUDIN (1895-1979)
“TÊTE ENDORMIE”
bronze with brown patina, height: 20cm (8in)
initialled and numbered “3/6”,
conceived and executed 1933,
also bears foundry stamp “E.Robecon, Cire Perdue”
EXHIBITED:
A.Beaudin, Sculptures 1930-1963, Galerie Louise Leiris, Paris, 1963 (No.5, Illus.)
André Beaudin, Oeuvres 1921-1970, Galeries Nationales, Grand Palais, Paris, 1970 (No.163, Illus.)
PROVENANCE:
Private Collection of Paul Eluard, the Dada poet.
André Beaudin (1895-1979) and Paul Eluard (1895-1952)
Double d’Ombre, Gallimard, 1945, 19.5x26.5 cm, first edition of 960.
[ILLUSTRATION ONLY]
REYNOLD ARNOULD (1919-1980)
“VISAGE II”
oil with sand on canvas laid on panel,
52 x 35cm (20 1/2 x 13 3/4in)
signed lower right,
painted c.1950
ALFRED RETH (1884 - 1966)
“FORMES DANS L’ESPACE”
oil and mixed media on panel, 48 x 39cm (19x15 1/4in)
signed, and dated 1944
LITERATURE: Alfred Reth, Catalogue Raisonné, 2003, No. 189
CLAUDE VENARD (1913-1999)
“NATURE MORTE À LA LAMPE”
oil on canvas, 75 x 75cm (29 1/2 x 29 1/2in),
signed lower right, painted c.1955
EXHIBITED: Galerie Romanet, Paris
RAYMOND GUERRIER (1920-2002)
“LE FRUIT ORANGE”
oil on canvas, 100 x 100cm (39 1/4 x 39 1/4 in)
signed lower left, also signed titled and dated on reverse, 1968
EXHIBITED:
Guerrier 1933-1996, Galerie Florence-Basset, Paris, 1996, No. 28
Museum Saint-Denis, 1972, No.69
Museum of Le Havre, 1972, No.19
LITERATURE:
Raymond Guerrier, Nice-Matin, (illustr.)
Raymond Guerrier, Frégate (illust.)
LÉOPOLD SURVAGE (1879-1968)
“HOMME À L’OISEAU”
oil on board, 12 x 8cm, (4 3/4 x 3 1/4in)
signed and dated lower right, 1942
Léopold Survage (1879-1968) and Jean Cocteau (1889-1963)
Pégase, Nouveau Cercle Parisien du Livre, Paris, 1965.
170 copies with 10 original engravings by Survage on Arches pure rug vellum
[ILLUSTRATION ONLY]
